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Leno move makes sense, and saves cents

For many Americans, the current recession means eating out less often, renting DVDs rather than going to the multiplex, buying generic rather than brand names, and carpooling.For NBC, it means moving Jay Leno to 10 p.m.(Msnbc.com is a joint venture of Microsoft and NBC.)Saving money directly wasn’t the sole reason the Peacock took their 11:35 p.m. ratings rock and moved him to 10 p.m., and this
/ Source: msnbc.com contributor

For many Americans, the current recession means eating out less often, renting DVDs rather than going to the multiplex, buying generic rather than brand names, and carpooling.

For NBC, it means moving Jay Leno to 10 p.m.

(Msnbc.com is a joint venture of Microsoft and NBC.)

Saving money directly wasn’t the sole reason the Peacock took their 11:35 p.m. ratings rock and moved him to 10 p.m., and this probably would have happened anyway, even if the economy wasn’t as bad as it is.

There was the little matter of keeping Conan O’Brien — and his 18-to-49 demographic — happy, which meant moving him from the 12:35 a.m. graveyard shift ahead to the prestigious “Tonight” show assignment once occupied by talk show royalty that includes Steve Allen, Jack Paar, Johnny Carson and, of course, Jay. There were considerations involving entertainment politics, including keeping Leno away from ABC.

But Leno’s move to 10 p.m. puts the focus on a larger issue, namely the effort by networks to adjust to changing viewing habits and therefore a changing economic landscape.

“NBC and (president and CEO) Jeff Zucker and (NBC Entertainment co-chairman) Ben Silverman have been up front for some time about the fact that the business model has to change,” said Ray Richmond, veteran TV critic for the Hollywood Reporter. “It’s an admission that they’re giving up on 10 o’clock, because it’s too much to have to pay for dramas. As much as they’ll have to pay Jay, it’s still cheaper than mounting produced dramas.”

$30 million a year? A bargain!

Leno has agreed to a new contract with NBC Universal that calls for a reported $25 million to $30 million per year. But even at that price, having Leno host a one-hour variety show five nights a week at the 10 p.m. slot is expected to cost the network only around $2 million per week. Five hours of scripted dramas Monday through Friday at that hour costs somewhere between $15 million and $20 million per week.

“The downside is that they have five less hours of prime time fare. The days of those great 10 o’clock NBC shows are over. No ‘ER.’ No ‘Hill Street Blues.’ No ‘St. Elsewhere.’ Financially, it makes sense. But in a broader perspective, they’re not going to be this great network anymore. There’s less opportunity now to make great shows.”

It’s debatable whether the Leno move to 10 p.m. will have any long-range negative impact on the NBC brand, whether any loss of prestige from fewer lauded one-hour dramas will translate into less revenue. It could happen. Fox has thrived even though it turns over the 10 p.m. hour to its affiliates for local news.

But there are many variables in this equation. One important one, Levine pointed out, is DVD sales.

Yet ratings for one-hour dramas at 10 p.m. have been in steady decline, which suggests that new ideas are not only welcome, but needed.

One veteran researcher who has worked in and around television for decades but wouldn't speak on the record so as not to alienate current clients said the use of television has risen consistently over the past 10 to 15 years. But he said that use includes DVDs, video games, DVR usage and others. The researcher believes that viewers are always looking for new ways to enjoy television.

“If you can’t serve them as a scheduled entity, (viewers will) take things into their own hands,” he said. “And they’re just as happy.”

With this dynamic in mind, he said the Leno move to 10 p.m. could provide a viewer boost to NBC. “There is a growing need for programming that offers a variety of types of entertainment that falls within a venue,” he explained, “a place where people don’t know what they’ll get from day to day, but they know when it’s finished they’ll be happy.

“I think it’s an opportunity for NBC. Less money spent, and an opportunity to attract new viewers, to increase unduplicated reach (the total number of people who come in to sample the wares) and to increase the frequency of viewership over those five nights. They might watch and then turn it off. But they’ll come back tomorrow night to see what Leno has.”

One of the keys to this, of course, is Jay himself. He will be 59 when his new show debuts next fall. According to Variety, the median age of “Tonight” under Leno is 56, about 10 years older than the network’s overall median age. Having Leno at 10 p.m. could raise the network’s median age, a development that could clash with advertisers’ desire to reach the cherished 18-to-49 demo.

“Madison Avenue sees people over 50 as essentially deceased,” Richmond said. “As far as ad revenue, Leno is preaching to Generation Last. That’s why they’re bouncing him, not because he isn’t doing well.

“The guy who is being pushed out because of his age is now the lead-in to his younger replacement.”

So let’s see … NBC benefits by saving money and by not losing Leno to a competitor. O’Brien benefits because he gets the honored “Tonight” slot. Leno benefits from a new contract and a new adventure at 10 p.m. Viewers — especially those who don’t like to stay up late — may benefit by getting Leno earlier, but in exchange they also will say goodbye to five hours of scripted dramatic entertainment per week.

Generally speaking, it’s a win-win economically, except for those who lose.

NBC’s affiliates won’t know until Leno actually takes on the competition in his new time slot whether the move will benefit them or not. Competitors such as the CW and Fox will likely stick with local news at 10 p.m., unless Leno becomes a runaway hit and pressure amid the sluggish economic climate causes them to make a similarly bold maneuver.

Then there are people who lose immediately, like those in Hollywood who have five fewer hours of scripted shows from which to gain employment. The Writers Guild declined to comment for this story.

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Michael Ventre is a frequent contributor to msnbc.com.