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Happy indeed: ‘Happyness’ tops box office

Not even a dragon or the world’s most-beloved spider could deny Will Smith another first-place finish at the box office.Sony’s father-son drama “The Pursuit of Happyness,” starring Smith and his own son, Jaden Christopher Syre Smith, debuted as the No. 1 movie with $27 million, according to studio estimates Sunday.Smith’s latest topped 20th Century Fox’s dragon fantasy “Eragon,” wh
/ Source: The Associated Press

Not even a dragon or the world’s most-beloved spider could deny Will Smith another first-place finish at the box office.

Sony’s father-son drama “The Pursuit of Happyness,” starring Smith and his own son, Jaden Christopher Syre Smith, debuted as the No. 1 movie with $27 million, according to studio estimates Sunday.

Smith’s latest topped 20th Century Fox’s dragon fantasy “Eragon,” which opened in second place with $23.45 million, and Paramount’s children’s tale “Charlotte’s Web,” which premiered a distant third with $12 million.

The previous weekend’s No. 1 movie, Mel Gibson’s Mayan saga “Apocalypto,” fell to sixth place with $7.7 million, raising its 10-day total to $27.9 million.

The story of a struggling dad who becomes homeless along with his young son, “Pursuit of Happyness” joins a long line of No. 1 openings for Smith, including the action tales “Independence Day” and “I, Robot.”

“Everyone who sees Will Smith or meets Will Smith feels like he could be their best friend,” Bruer said. “He has that type of charisma that resonates throughout whatever room he’s in.”

Combining live action and computer animation, “Charlotte’s Web” had a soft opening despite an all-star voice cast including Julia Roberts, Robert Redford and Oprah Winfrey in E.B. White’s classic about a spider that befriends a lonely pig.

Don Harris, executive vice president of distribution at Paramount, said the studio hopes “Charlotte’s Web” will follow the pattern of other pre-Christmas family releases such as “Stuart Little” and “The Prince of Egypt,” which opened in the same range but held on through the holidays to become hits.

“The movie has every chance to get to $100 million off of this opening,” Harris said.

Paramount’s musical “Dreamgirls,” starring Jamie Foxx, Beyonce Knowles, Eddie Murphy and Jennifer Hudson in an adaptation of the stage hit, opened to big numbers at three theaters in New York, Los Angeles and San Francisco.

Premiering with reserved seating and special programs at a premium ticket price of $25, the film took in $360,000, a healthy start to its nationwide release on Christmas.

George Clooney and Steven Soderbergh’s latest collaboration, “The Good German,” debuted solidly with $78,572 at five theaters. Clooney stars with Cate Blanchett and Tobey Maguire in a black-and-white tale of murder and intrigue in Berlin just after World War II.

Overall business was off, with the top 12 movies taking in $112.3 million, down 8.3 percent compared to the same weekend last year, when two blockbusters — “King Kong” and “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe” — were Nos. 1 and 2.

This weekend’s holdover films retained strong audiences, though, a sign that many current movies may have a long shelf life, said Paul Dergarabedian, president of box-office tracker Media By Numbers.

“It’s hard to say this is a positive thing that this is a down weekend. But the strength of this weekend has been the holdovers,” Dergarabedian said. “There is a lot of depth to the marketplace. It’s a direct reflection of audience satisfaction. That’s more important I think than beating last year’s competition.”