Five-time Tour de France winner Lance Armstrong returns with an inspirational account of his recent personal and professional victories and some failures, and an intimate glimpse into how almost dying taught him to really live. Here's an excerpt of “Every Second Counts”:
So, it looks as though I’m going to live — at least for another 50 years or more. But whenever I need to reassure myself of this, as I sometimes do, I go out to a place called Dead Man’s Hole, and I stare down into it, and then, with firm intent, I strip off my shirt and I leap straight out into what you might call the great sublime.
Let’s say it’s my own personal way of checking for vital signs. Dead Man’s Hole is a large green mineral pool gouged out of a circular limestone cliff, so deep into the hill country of Texas that it’s hardly got an address. According to conflicting legends, it’s either where Confederates tossed Union sympathizers to drown, or where Apaches lured unsuspecting cowboys who didn’t see the fall coming. In any event, I’m drawn to it, so much so that I bought 200 acres of brush and pasture surrounding it, and I’ve worn a road into the dirt by driving out there. It seems only right that a place called Dead Man’s Hole should belong to a guy who nearly died — and who, by the way, has no intention of just barely living.
I stand there next to a 45-foot waterfall and examine the drop—and myself, while I’m at it. It’s a long drop, so long that it makes the roof of my mouth go dry just looking at it. It’s long enough for a guy to actually think on the way down, and to think more than one thought, too. Long enough to think first one thing, A little fear is good for you, and then another, It’s good for you if you can swim, and then one more thing as I hit the water: Oh fuck, it’s cold. As I jump, there are certain unmistakable signs that I’m alive: the press of my pulse, the insistent sound of my own breathing, and the whanging in my chest that’s my heart, which by then sounds like an insubordinate prisoner beating on the bars of my ribcage.
I come up whooping through the foam and swim for the rocks. Then I climb back up and towel off, and I drive home to my three kids. I burst through the door, and I shout at my son, Luke, and my twin daughters, Grace and Isabelle, and I kiss them on the necks, and I grab a Shiner Bock beer with one hand and an armful of babies with the other.
The first time I ever did it, my wife, Kik, just looked at me and rolled her eyes. She knew where I’d been.
“Was that clarifying for you?” she said.
At what point do you let go of not dying? Maybe I haven’t entirely and maybe I don’t want to.
I know they’re out there, lying in their hospital beds, with those damn drip poles, watching the damn chemo slide into their veins, and thinking, This guy had the same thing I do. If he can do it, I can, too. I think of them all the time.
My friend Lee Walker says I got “pitched back.” What he means is, I almost died, and possibly even did die a little, but then I got pitched back into the world of the living. It’s as good a description as any of what happened. I was 25 when cancer nearly killed me: advanced choriocarcinoma spread to my abdomen, lungs, and brain and required two surgeries and four cycles of chemotherapy to get rid of. I wrote an entire book about death, called It’s Not About the Bike, about confronting the possibility of it, and narrowly escaping it.
“Are you sure?” I asked the doctor.
“I’m very sure.”
“How can you be so sure?”
“I’m so sure that I’ve scheduled you for surgery at 7 a.m. tomorrow.”
Mounted on a light table, the X-ray showed my chest. Black meant clear; white meant cancer. My chest looked like a snowstorm.
What I didn’t and couldn’t address at the time was the prospect of life. Once you figure out you’re going to live, you have to decide how to, and that’s not an uncomplicated matter. You ask yourself: now that I know I’m not going to die, what will I do? What’s the highest and best use of my self? These things aren’t linear, they’re a mysterious calculus. For me, the best use of myself has been to race in the Tour de France, the most grueling sporting event in the world.
Every time I win another Tour, I prove that I’m alive — and therefore that others can survive, too. I’ve survived cancer again, and again, and again, and again. I’ve won four Tour titles, and I wouldn’t mind a record-tying five. That would be some good living.
But the fact is that I wouldn’t have won even a single Tour de France without the lesson of illness. What it teaches is this: pain is temporary. Quitting lasts forever.
To me, just finishing the Tour de France is a demonstration of survival. The arduousness of the race, the sheer unreasonableness of the job, the circumnavigation of an entire country on a bicycle, village to village, along its shores, across its bridges, up and over the mountain peaks they call cols, requires a matchless stamina. The Tour is so taxing that Dutch rider Hennie Kuiper once said, after a long climb up an alp, “The snow had turned black in my eyes.” It’s not unlike the stamina of people who are ill every day. The Tour is a daily festival of human suffering, of minor tragedies and comedies, all conducted in the elements, sometimes terrible weather and sometimes fine, over flats, and into headwinds, with plenty of crashes. And it’s three weeks long. Think about what you were doing three weeks ago. It feels like last year.
The race is very much like living — except that its consequences are less dire and there’s a prize at the end. Life is not so neat.
There was no pat storybook ending for me. I survived cancer and made a successful comeback as a cyclist by winning the 1999 Tour, but that was more of a beginning than an end. Life actually went on, sometimes in the most messy, inconvenient, and un-triumphant ways. In the next five years I’d have three children, take hundreds of drug tests (literally), break my neck (literally), win some more races, lose some, too, and experience a breakdown in my marriage. Among other adventures.
When you walk into the Armstrong household, what you see is infants crawling everywhere. Luke was born in the fall of 1999 to Kristin (Kik) Armstrong and me shortly after that first Tour, and the twins came in the fall of 2001. Grace and Isabelle have blue saucer eyes, and they toddle across the floor at scarcely believable speeds. They like to pull themselves upright on the available furniture and stand there, wobbling, while they plan how to make trouble. One of Isabelle’s amusements is to stand up on the water dispenser and press the tap until the kitchen floods, while she laughs hysterically. I tell her, “No, no, no,” and she just shakes her head back and forth and keeps laughing, while the water runs all over the floor. I can’t wait for their teen years.
Luke adds to the bedlam by riding his bike in the living room, or doing laps in a plastic car, or tugging the girls around in separate red wagons. He is sturdy and hardheaded. He wears his bike helmet inside the house and refuses to take it off, even when we go out to dinner. We get some interesting stares — but anything is better than the fight that ensues if you try to remove the helmet. He insists on wearing it just in case he might get to go cycling with me. To him, a road is what his father does for a living. I’m on the road so much that when the phone rings, he says, “Daddy.”
One afternoon I went to pick my family up at an airport. Luke gave me a long stare and said, “Daddy, you look like me.”
“Uh, I look like you?” I said.
“Are you sure it’s not the other way around?”
“Yeah, I’m sure. It’s definitely you that looks like me.”
Also milling around our house are a cat named Chemo and a small white dog named Boone. I trip around all of them, watching my feet, careful not to step on a critter or a kid. It’s been a chaotic few years, and not without its casualties. There have been so many children and adults and animals to feed that sometimes things get confused and the dog winds up with the baby food. One day Kik handed me what was supposed to be a glass of water.
“This tastes like Sprite,” I said.
“Just drink it,” she said.
I could never seem to find the right keys to anything. One time I pulled the ring of keys from my pocket and stared at them in their seeming hundreds, and said to Kik, wonderingly, “I have the keys to the whole world.” She just said, “Perfect.”
The reason I have so many keys is because I need so many homes and vehicles, in various countries and counties. I spend most of the spring and summer in my European home in Girona, Spain, while I prepare for the Tour. When the racing season is over, I come back to Austin. Our family lives in a house in central Austin, and we also have the ranch in the hill country. But my favorite home is a small hideaway, a one-room cabin just outside Austin, in the hills overlooking the Colorado River. Across the river there’s a rope swing dangling from an old bent oak, and on hot days I like to swing on the rope and hurl myself into the current.
I love the tumult of my large family, and I’ve even been accused of fostering a certain amount of commotion, because I have no tolerance for peace and quiet. I’m congenitally unable to sit still; I crave action, and if I can’t find any, I invent it.
My friends call me Mellow Johnny. It’s a play on the French term for the leader of the Tour de France, who wears a yellow jersey: the maillot jaune. We like to joke that Mellow Johnny is the Texan pronunciation. The name is also a play on my not-so-mellow personality. I’m Mellow Johnny, or Johnny Mellow, or, if you’re feeling formal, Jonathan Mellow.
Sometimes I’m just Bike Boy. I ride my bike almost every day, even in the off-season, no matter the weather. It could be hailing, and my friends and riding partners dread the call that they know is going to come: they pick up the phone, and they hear Bike Boy on the other end, demanding, “You ridin’, or you hidin’?”
One famous November day during the off-season, I rode four and a half hours through one of the strongest rainstorms on record. Seven inches of precipitation, with flash floods and road closures everywhere. I loved it. People thought I was crazy, of course. But when I’m on the bike, I feel like I’m 13 years old. I run fewer red lights now, but otherwise it’s the same.
Some days, though, I feel much older than a man in his thirties; it’s as if I’ve lived a lot longer. That’s the cancer, I guess. I’ve spent a lot of time examining what it did to me—how it aged me, altered me—and the conclusion I’ve come to is, it didn’t just change my body; it changed my mind.
I’ve often said cancer was the best thing that ever happened to me. But everybody wants to know what I mean by that: how could a life-threatening disease be a good thing? I say it because my illness was also my antidote: it cured me of laziness.
Before I was diagnosed, I was a slacker. I was getting paid a lot of money for a job I didn’t do 100 percent, and that was more than just a shame — it was wrong. When I got sick, I told myself: if I get another chance, I’ll do this right — and I’ll work for something more than just myself.
I have a friend, a fellow cancer survivor named Sally Reed, who sums up the experience better than anyone I know. “My house is burned down,” she says, “but I can see the sky.”
Sally was diagnosed with rampant breast cancer in the spring of 1999. The disease had reached Stage Three and spread to her lymphatic system. She was facing both radiation and chemotherapy. Right away, all of her smaller fears disappeared, replaced by this new one. She had been so afraid of flying that she hadn’t flown in more than 15 years. But after she got the diagnosis, she called an airline and booked a flight to Niagara Falls. She went there by herself and stood overlooking the roaring falls.
“I wanted to see something bigger than me,” she says.
Mortal illness, like most personal catastrophes, comes on suddenly. There’s no great sense of foreboding, no premonition, you just wake up one morning and something’s wrong in your lungs, or your liver, or your bones. But near-death cleared the decks, and what came after was a bright, sparkling awareness: time is limited, so I better wake up every morning fresh and know that I have just one chance to live this particular day right, and to string my days together into a life of action, and purpose.
If you want to know what keeps me on my bike, riding up an alp for six hours in the rain, that’s your answer.
Oddly enough, while the near-death experience was clarifying, the success that came afterward was confusing.
It complicated life significantly, and permanently. The impact of winning the 1999 Tour de France was larger than I ever imagined it would be, from the first stunned moment when I stepped off the plane in Austin, into the Texas night air, to see people there waiting. There was yellow writing painted on the streets, “Vive la Lance,” and banners stretched across the streets, and friends had decorated our entire house with yellow flowers, streamers, and balloons. I was bewildered to be invited to the State Capitol to see our then-governor, George W. Bush, and afterward there was a parade through town with more than 6,000 cyclists (in yellow) leading the route. People were lined up five deep along the sides, waving signs and flags.
I didn’t understand it: I was just another Austin bike geek who liked his margaritas and his Tex-Mex, and Americans weren’t supposed to care about cycling. “You don’t get it,” said my friend and agent, Bill Stapleton.
I lived in a constant, elevated state of excitement; the air was thin and getting thinner, and compounding the excitement was the fact that Kik and I were awaiting the birth of our first child, Luke. I kept waiting for things to subside, but they never did—they just got busier. Bill was swamped with offers and requests and proposed endorsements. He struck some handsome new deals on my behalf, with prestigious sponsors like Bristol-Myers Squibb, Nike, and Coca-Cola. With the deals came new responsibilities: I shot half a dozen commercials, posed for magazine ads and the Wheaties box. I earned the nickname “Lance Incorporated” and now I was a business entity instead of just a person.
Excerpted from Every Second Counts by Lance Armstrong with Sally Jenkins Copyright© 2003 by Lance Armstrong with Sally Jenkins . Excerpted by permission of Broadway, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.