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Director of Gregg Allman biopic pleads guilty in train crash death

ATLANTA (Reuters) - The director of a film about rock singer Gregg Allman pleaded guilty on Monday to involuntary manslaughter and trespassing charges stemming from a deadly train crash on the movie's set in Georgia, according to a Georgia county clerk's office.
/ Source: Reuters

ATLANTA (Reuters) - The director of a film about rock singer Gregg Allman pleaded guilty on Monday to involuntary manslaughter and trespassing charges stemming from a deadly train crash on the movie's set in Georgia, according to a Georgia county clerk's office.

"Midnight Rider" director Randall Miller agreed to a plea deal in which he was sentenced to two years in county jail and eight years of probation, as well as a $20,000 fine.

All charges against Jody Savin, Miller’s wife and business partner, were dropped.

Executive producer Jay Sedrish also pleaded guilty to involuntary manslaughter and trespassing, and was sentenced to 10 years' probation, the Wayne County county clerk spokeswoman said.

Miller, Savin and Sedrish were indicted on involuntary manslaughter and trespassing charges in the February 2014 death of camera assistant Sarah Jones, 27, of Atlanta, during the filming of the biopic.

The plea deal came as the three filmmakers were due to stand trial this week on the criminal charges. Each faced up to 11 years in prison if convicted.

Jones was killed when a train hit props and movie equipment staged on a railroad bridge and trestle.

Six other crew members were injured in the incident in rural Wayne County about 70 miles southwest of Savannah.

Unclaimed Freight Productions Inc, the production company, did not have permission to film on the tracks, authorities have said.

A fourth defendant in the case, first assistant director Hillary Schwartz, is scheduled to be tried separately.

Allman was not named in the criminal case. He was dropped from a civil lawsuit in which Jones' family is seeking unspecified financial damages from the people and movie companies involved in the film project.

(Editing by Colleen Jenkins and Barbara Goldberg; Editing by Peter Cooney)