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Title: Tabuh Kreasi Kontemporer Puser Belah ( 2 / 2 ) View count: 793 Rating: 5.0 (2 ratings) Description: 21 Juni 2003 Eksibisi Gamelan Internasional ( International Gamelan Exhibition ) Pesta Kesenian Bali ( Bali Arts Festival ) Panggung Terbuka Sekolah Tinggi Seni Indonesia, Denpasar Sekaa Gong Sanggar Seni Çudamani Pengosekan, Mas, Ubud, Gianyar Bali, Indonesia Sekaa Gong Genta Buana Sari Peliatan, Ubud, Gianyar Bali, Indonesia Gamelan Gita Asmara, members University of British Columbia Canada Gamelan Sekar Jaya, members Oakland, California United States Karya ini mengisahkan dua kebudayaan atau dua kesatuan yang dilambangkan leh dua barung gamelan Semarandana. Semula keduanya bergerak dan berpikir tanpa kesadaran bahwa gamelan yang lain juga menduduki dunianya. Sedikit demi sedikit mereka mulai memandang pendampingnya masing-masing. Di dalam akar pergaulannya ada unsur-unsur kerukunan sekaligus inti perang juga. Pada bagian pengawak gending mereka akhirnya berhasil main bersama-sama secara akrab dan gotong-royong. Akan tetapi sehabis itu, akibat kesulitan dan tantangan dalam mencapai ketentraman yang mantap, persahabatannya seolah-olah meledak. Pada bagian pekaad karya ini, unsur-unsur peperangan muncul kembali dan berlangsung sampai selesai. Peristiwanya menimbulkan sebuah pertanyaan yang berbobot. Apakah dua kebudayaan mampu hidup bersama dalam keadaan damai? This new work depicts two entities or two cultures, each symbolized by a full gamelan Semarandana. At first the two behave and act without any consciousness of the other gamelan also inhabiting its world. Little by little the two become aware of each other. At the root of their interaction are elements of both cooperation and conflict. Just after the midpoint, in the pengawak section, they are at last able to truly play together. But after that point, because of the difficulty and challenge of attaining and preserving a lasting peace, their relationship comes to a kind of explosive end. In the closing section, the elements of conflict return and remain dominant. The narrative raises a profound question: Are two different cultures able to live together peacefully? - Michael Tenzer, komponis ( composer ) penabuh ( musicians ) : Gamelan I I Kadek Artika, pemade I Komang Widana, pemade I Made Sukarda, pemade I Wayan Agus Satya Putra, pemade I Wayan Kioana, kantilan I Wayan Murtika, kantilan I Nyoman Sukarta, kantilan Nicole Walker, kantilan Jeff Purmort, ugal I Made Sudarna, reyong Cok Alit Juliawan, reyong Pande Putu Suardana, reyong Leslie Tilley, reyong Pande Nyoman Budiana, kempli I Ketut Wirawan, ceng-ceng I Wayan Juniarta, kendang I Nyoman Putra Lastana, kendang I Komang Putra, suling Gusti Ngurah Ketut Astana, penyacah Pande Made Leo, penyacah I Putu Parmanta, calung Rich St. Onge, calung I Wayan Eka Pertama, jegogan I Ketut Artana, jegogan I Nyoman Kantra, gong Gamelan II I Dewa Made Suparta, pemade I Dewa Putu Sudiantara, pemade I Made Karmawan, pemade I Wayan Sudirana, pemade I Dewa Ketut Alit Adnyana, kantilan Leo Pedersen, kantilan I Made Mahardika, kantilan I Dewa Gde Gunarta, kantilan I Dewa Made Suardika, ugal Gusti Nyoman Darta, reyong Colin MacDonald, reyong I Made Sulaeman, reyong I Made Pasta, reyong I Made Karjana, kempli I Made Suandiyasa, ceng-ceng I Dewa Putu Rai, kendang Michael Tenzer, kendang I Made Widana, suling I Putu Eka Saputra, suling Sutrisno, suling I Dewa Ketut Alit, rebab Eka Mardiana, penyacah I Ketut Surya Tenaya, penyacah Ida Bagus Putu Haridana, calung Kim Kobayashi, calung I Koming Wirawan, jegogan Gusti Putu Ratna, jegogan I Dewa Putu Cenik, gong Tags: gambelan, gamelan, gong, semarandana, semarandhana, tabuh, kreasi, creation, kontemporer, contemporary, seni, art, arts, musik, music, kendang, drum, kotekan, interlocking, pengosekan, mas, peliatan, ubud, gianyar, denpasar, bali, balinese, indonesia, indonesian, asia, asian, tenzer, Author: Djep2 |
