Striking writers have reached interim contract agreements with four New York-based independent filmmakers, ending their 12-week walkout, the two sides said Sunday in a joint announcement.
The settlement appeared to be another step toward ending the national work stoppage by the Writers Guild of America that has brought film and television production on both coasts to a virtual standstill.
The announcement did not offer details of the agreements but said they were “similar” to agreements reached earlier between the WGA and 13 other film and TV production companies.
The latest agreements with the Writers Guild’s east and west units enables the four indie producers, GreeneStreet Films, Killer Films, Open City Films and This is that corporation to “resume business immediately,” the statement said.
WGA East president Michael Winship called the pacts “a reaffirmation of their dedication to great writing, bold innovation and good old-fashioned, New York City street smarts” by companies that he said had helped to revitalize the motion picture industry.
Jason Kliot and Joana Vicente, speaking for GreeneStreet, Open City and Killer films, credited the union with “thoughtfulness during the discussions.” This is that co-founders Ted Hope and Anne Carey said the united action by the companies to settle “clarifies our support for and solidarity with the WGA’s position.”
Deal could come soonOn Saturday, a person close to the ongoing negotiations said a breakthrough in contract talks was reached between Hollywood studios and striking writers and could lead to a tentative deal as early as next week.
The two sides breached the gap Friday on the thorniest issues, those concerning compensation for projects distributed via the Internet, said the person, who requested anonymity because he were not authorized to speak publicly.
A second person familiar with the talks, also speaking on condition of anonymity because he wasn't authorized to comment publicly, said that significant progress had been made and a deal might be announced within a week. The people did not provide specific details on the possible agreement. Major points of contention include how much and when writers are paid for projects delivered online after they've been broadcast on TV. The studios have been insisting that programs be streamed online for a certain period, deemed promotional, during which writers would forgo residuals. When payment kicked in, the companies sought to limit it to a flat $1,200 fee, while the guild wanted a percentage of a distributor's revenue. The Writers Guild of America did not immediately reply to a request for comment. The Alliance of Motion Picture and Television Producers, the trade group representing the studios, declined comment, citing a news blackout agreed to by both sides during the talks. Guild leaders have said they are fighting for a piece of the future, reflecting the widespread belief that Internet-delivered entertainment fare would inevitably claim an increasing and perhaps even dominant market share. Although work remains to be done on elements of the agreement, prospects for a deal appeared solid, said those close to the situation. The tentative agreement would have to be approved by a majority of guild members.
The guild, whose 3-month-old strike has brought the entertainment industry to a standstill, began informal talks with top media company executives Jan. 23 in an attempt to reach a new deal covering governing work for film, TV and digital media.
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Celebrity Sightings
Negotiations between the guild and alliance negotiators collapsed Dec. 7 after the alliance demanded that proposals for unionization of animation and reality shows be taken off the table. The guild refused. During the negotiations impasse, the Directors Guild of America began its own talks with studio chiefs and swiftly reached a tentative deal that was announced Jan. 17 and covered some of the digital media issues key to the writers guild. Major studio executives called on the writers guild to begin informal talks, which essentially are standing in for formal negotiations, according to those familiar with the situation. The guild extended its own olive branch before the informal talks started by withdrawing the reality-animation unionization proposal and by deciding to keep pickets away from the Grammy Awards. It has since decided to allow the music ceremony to proceed with full union support. However, the fate of the Feb. 24 Academy Awards has remained in question, with the guild so far declining to grant its blessing to the show. A union refusal to cooperate with the Golden Globes decimated the ceremony, which was boycotted by supportive actors. Oscar organizers and producers have vowed they will stage some type of show, with or without union support — but a writers guild deal would allow this ceremony to proceed in its full, star-studded glory, providing an invaluable promotional showcase for movie studios and their films