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Video: How to create extra seating for football viewing

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    >> turkey day happens every thanksgiving. relatives pile up on the sofa to watch the macy's prey or football so maybe there's a better way than stuffing your uncles under the couch today. the author of "carter's way," a no nonsense way of developing your own super stylish home."

    >> let's go for it.

    >> let's start with stadium seating . how do you create that?

    >> stadium-style seating, general rules of thumb we should already have. on the back side we've put the bar stools in the back. gather bar stools , if you have those around your home, use your neighbors, craigslist, get those, already double our seating with the sofa which is second team and bar stools which is third tier and pushed our coffee table forward and have our throw pillows which is the first level of seating. that's good for kids or latecomers.

    >> does that involve moving the couch.

    >> if you have to, move it up two to three feet just to make room for the space in between as well as the coffee table.

    >> okay. now if i'm watching the tv from where i'm seated, is there like a science to where you want the television.

    >> the television should be, take the diagonal length of your tv, say that's four feet for a nice good number. take four feet, three times the distance, if it's four feet should be 12 feet as far as the space in between and then height-wise, most people put the tv too high. want that in eye line or little above the primary seating where you are right now. it's raised a little bit on that media console.

    >> so you're watching a little mary j and don't have to crane your neck.

    >> most people you get up and the tv is way up high, don't work, especially for football games and there's three on for thanksgiving.

    >> got to most coffee table around a little bit to make room.

    >> moved the coffee table up but coffee tables, everybody should know, no higher than the seating on your sofa and no more than two to three inches lower than the seating. everybody asks these questions, how high and how big, general rules of thumb you should live by.

    >> kind of buried the lead here, i have to confess, a keg on the table.

    >> how cool is that.

    >> a little smaller. grandma doing a keg stand poolside. tough for grandma.

    >> might be trick toe do a keg stand with that one. those kegs are so cool. average of $20. i think they have 14 12-ounce glasses so that's a dollar and change per beer which is really nice to have around and being a bit more eco-friendly, not wasting a bunch.

    >> carter, thanks a bunch.

    >> next time i have you over i'll let you sit on the couch.

    >> congratulations on the book and happy to see you. happy thanksgiving.

By
TODAY books
updated 11/20/2012 4:09:32 PM ET 2012-11-20T21:09:32

HGTV's Carter Oosterhouse applies a reassuring "you can do it" attitude to demonstrate effective home-design techniques in “Carter's Way.” Here's an excerpt.

Chapter 1

Carter’s Way Explained
I once had someone ask me about my show Carter Can, “How do you do it? You go into a room and suddenly you pull it all together, and it looks great. It’s like magic.” It’s not magic. It’s a simple process born of design basics and lessons learned from experience. Instead of magic, I use Carter’s Way.

I’m not a formally trained designer. That’s why, when I started working on my own TV show, I knew I needed a simple, adaptable design process that would work for all the different rooms we tackle over the course of a filming season. Not only is one home different from the next, everybody wants something different out of their living spaces. However, as much as every room is unique, there are in fact certain basic principles guiding any successful design. I developed Carter’s Way around those universal guidelines. For ease of use, I break down the process into three interrelated parts: customized style, commonsense practicality, and realistic environmentalism. I look at these as legs on a triangle. Each one touches the other two, and there is no triangle without all three combined in the correct way.

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They aren’t step-by-step. Every point in developing a design—every decision you make—involves each of these in some way. Take buying a new couch for instance. The practical issue of cost will narrow the style options you can consider. You’ll want a couch with a look that fits your customized style, works with your existing furniture, and that appeals to your own tastes. If you’re a smart shopper, you’ll put your environmentalist cap on when you check if the upholstery produces any volatile organic compounds that would compromise the air quality in your home. See how all three play a part in one simple choice?

All that said, let’s start by looking closely at the idea of “customized style.”

Customized Style
Style is the subjective part of the design process. Your personal tastes will differ from mine, which will be different from another person’s. That’s why I call this component “customized” style. You’ll create your own unique look that has a strong foundation in the timeless principles that guide sound design. Just like every home—no matter what architectural style it is—has to have a foundation, every interior design stands or falls on a few universal principles. As long as these are in line, you can put your own stamp on your home design.

Lyons Press

Color
You’ve probably been exposed to the basic principles of color many times, but just in case you haven’t, here’s a refresher. Individual colors can be divided between warm (reds and yellows) and cool (blues and greens). They can also be divided into receding and advancing colors. Dark or warm colors advance—they look like they are closer to you. Cool or light colors recede, or appear to be farther away. (Useful effects to know about when you want to visually change a room’s shape or perspective!)

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Interior design involves grouping colors into “schemes” that can be complementary (those that sit across from each other on the color wheel), analogous (those that sit next to each other), or monochromatic (different shades and tints of the same color). There are more complicated color schemes, but these three are the root of all of them, and you can play off them in your own design. Neutrals—brown, taupe, beiges, and off-whites—work with any other colors, as do black and white (technically called “achromatic”). A shade is a base color with black added to it, while a tint is a base color with white added to it (a tone is the color plus gray). All the particulars aside, you judge color by the way it looks in the actual space—there’s no other way to do it. Whether you’re looking for new wall paint, wallpaper, sofa fabric, or tile, manufacturers have made the process easy by collecting and organizing samples by color and combinations.

Lighting
Even though every room has its own lighting needs, there are three basic types of interior lighting used in any room. Ambient lighting is the term pros use for general light. It’s the overall light that spreads throughout the space and fills in shadowy areas, making the room safer to navigate and more inviting. Ambient fixtures include ceiling-mounted units and floor and table lamps. Task lighting is any light used to aid in a specific function. Undercabinet lights in the kitchen and a desk light in a home office are examples of task lighting. Accent lighting rounds out a room’s lighting scheme, emphasizing decorative features or drawing attention itself. Frame-mounted art lights and cove lighting are examples of accent lighting.

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Properly lit rooms usually include all three types of illumination to play up the strengths of the room’s design and make the space easier to use. Lighting fixtures not only supply the illumination you need, they are also decorative elements. We’ll talk more about lighting and fixtures particular to individual rooms in the chapters that follow. For now, understand that no single light source provides all the necessary lighting for a room; you’ll need a combination if you want your design to look its absolute best.

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Layout
The layout of the room—where and how furnishings and other elements are positioned—determines how livable the room is, and how pleasing the interior design will be to the eye. Good layout is part art and part science, and it’s a huge and critical part of any room design as far as I’m concerned. The space needed for proper navigation through a room is the science, and I’ve included guidelines throughout the chapters that follow. The more difficult part of layout is composition, which is all about proportion, scale, and balance. Furnishings need to balance one another, and be in balance with the dimensions and appearance of the room. Maybe you’ve seen a small bedroom stuffed to the gills with a “bedroom suite” of furniture bought as a complete set. That’s an example of design imbalance, and a case where removing furniture might improve the room’s layout immeasurably. Another example is a roll-arm overstuffed couch that a homeowner has paired with a dainty glass-topped coffee table. Everything you place in a room has some visual weight. You need to make sure that no one side of the layout or one area of the room carries a lot more visual weight than any other.

Because getting the relationship between furniture just right can be a bit of a challenge, I always recommend experimenting. As long as you’re willing to move furniture in and out of a room and play with different configurations, you’ll eventually find your way to a balanced, attractive arrangement. I’ll discuss examples of good layout practices in the chapters that follow.

Theme
You can choose a standard theme such as “modern” or “country” that defines exactly how the room will look. More often than not, though, I find homeowners have their own ideas about theme and style. You’ll probably want to define it in your own way, which is fine. Just be sure you are clear on what your “theme” means in terms of actual decorative elements. Dark and dramatic? Light and airy? Bright, witty, and full of energy? Are you the type that collects antiques, or are you more of an IKEA person? Do you like lots of comfy furniture and bric-a-brac filling up your space, or do you like an emptier nest, a place with a few well-chosen pieces and very little extraneous decoration? Define your theme to guide the decisions you’ll make in your remodeling or design project.

The best way to develop room-specific ideas that embody your theme, tastes, and style is to keep a “style file.” Collect sources of inspiration. I do. All the time. Sometimes I see a room in a magazine—not necessarily a design magazine. It could be a really cool ad, shot in a nice room. Sometimes it’s just the cabinets or bed that strikes me as really handsome. Other times, I like the way a room is lit, or the appliances grab my attention. Room designs are put together in pieces, and collecting ideas that catch your eye for which pieces might go where is a great way of defining the particulars of your theme and style.

Beyond these basics, there are many techniques for establishing personal style in a room design. These include how you arrange wall-mounted art, what kind of storage you incorporate to prevent clutter, and the types of decorative accents you choose. Style indicators vary room to room, so that’s how I cover them in this book.

Practically Speaking
The issue of customized style goes hand in hand with the second element in my process: commonsense practicality. It’s easy to get carried away when you start looking at all the beautiful things you could include in a room design. The world is full of beautiful and impressive home furnishings. Catalogs are stuffed with fun and unique accents. Whole new floors, ceilings, and wall surfaces are waiting for you down the aisle of any large home center. Practicality brings you back down to earth. The most important and most practical piece of any design project is the budget. I’ve seen homeowners run out of money halfway through a room design; that makes no sense and it’s the opposite of pretty. And frankly, I have been in some incredibly expensive homes, with million-dollar rooms, and some of them were the ugliest spaces I’ve ever seen. Just because you have money doesn’t mean you have style.

Budget
You should start any design or remodeling project by deciding how much you can and are willing to spend on the design. Make this your line in the sand and don’t go over it. A little discipline is necessary if you’re going to have a stylish room that suits your home and your pocketbook. Keep track of costs as you go along. Budget is sure to narrow your choices, but it will also help you prioritize the elements of the design (do you want that great hand-painted tile backsplash or the new kitchen table?). You know what else? I find that budget (we’re always on a pretty tight one on each of my shows) can light a fire under your creativity. Many times, I’ll find ways to make something I’ve envisioned for a room, when the budget just can’t accommodate a brand-new purchase. I’m an experienced carpenter, so it’s a little easier for me, but most people have it in them to construct small projects. I’ve also found that when a certain high-end material is too pricey for the project at hand, a little investigation often turns up an alternative with a similar appearance and much lower cost. I do this on my shows all the time.

Manufacturers know budget is an issue. That’s why you can buy polyurethane wall moldings in place of pricier wood or plaster versions, and why inexpensive laminate floors look convincingly like wood, stone, and other materials. I know budget is not exactly a fun part of the process, but it is essential. You’ll thank yourself later when your room comes together beautifully without breaking the bank.

Natural Light
Sunlight exposure is a major practical consideration. Television and computer screens set up opposite a bright, sunlit window are bound to feature glare spots, while furniture placed in a bright sunny spot should be dressed in fade-resistant upholstery. On the other hand, indoor plants positioned in a full-shade corner may quickly die. Wood, fabric, or laminate materials should never be placed too near a heat source such as a radiator, because the finish can fade and the surface will degrade over time.

Your Room Over Time
How the space will be used is a big part of practicality. It might require getting out your crystal ball and looking into the future a bit. It may be difficult to envision your newborn as a toddler, and then a rambunctious adolescent with friends and pets. It’s worth thinking through, though, because that progression should play a role in the upholstery and surface treatments you choose, and any furniture you buy. I’ll help you think through all these practical considerations in discussing specific areas in the house, but you should always keep practicality in mind when designing and remodeling.

From CARTER'S WAY by Carter Oosterhouse. Reprinted courtesy of Lyons Press. Copyright © 2012 by Carter Oosterhouse.

© 2012 MSNBC Interactive

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