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Video: Author goes ‘One Flight Up’

  1. Transcript of: Author goes ‘One Flight Up’

    HODA KOTB, co-host: What happens behind the closed doors within Manhattan 's most desirable ZIP codes ?

    KATHIE LEE GIFFORD, co-host: Well, I found out this morning when I was reading "One Flight Up," the novel about four dynamic, very sexy female characters who seem to have it all, but do they?

    KOTB: Mm-hmm.

    KATHIE LEE GIFFORD, co-host: Susan Fales-Hill is an award-winning TV writer and now the author of -- I think it's your very first novel, isn't it?

    Ms. SUSAN FALES-HILL (Author, "One Flight Up"): Second book, first novel, yeah.

    GIFFORD: First novel, "One Flight Up." And I 'm a little embarrassed to meet you, I got to be honest.

    KOTB: Yeah, it's...

    Ms. FALES-HILL: It's all right.

    GIFFORD: I feel like I know you very well.

    Ms. FALES-HILL: A little too well, perhaps. We were in the classroom, now I'm taking you to the boudoir.

    GIFFORD: Whoa!

    KOTB: Well, this book, you guys, when you pick it up, you'll know, it is full of -- it's very steamy, it's full of infidelity. All of your characters have interaction.

    GIFFORD: Every one of them!

    KOTB: Why is infidelity your major league theme in this?

    Ms. FALES-HILL: Well, I was inspired by the hormonal surge of middle age to write this, like the muse of hot flash coming through.

    GIFFORD: That'll do it.

    Ms. FALES-HILL: But I also felt like a lot of chick lit deals with the -- getting to the altar.

    GIFFORD: Yeah.

    Ms. FALES-HILL: The real story begins after the "I do"s, when it's I do, all of a sudden you're no longer reeking of desperation...

    GIFFORD: Yeah.

    Ms. FALES-HILL: ...and people are coming on to you, and you have to say, 'Sorry, but I don't, I can't.'

    KOTB: Yeah.

    Ms. FALES-HILL: And I wanted to deal with that struggle that women sometimes face.

    KOTB: Yeah.

    GIFFORD: You were writing -- I was -- I didn't get it till yesterday, I read it -- would've read the whole thing, but at one point you talked about this one character who, you know, she's about to have the first kiss, the first...

    KOTB: Mm-hmm.

    Ms. FALES-HILL: Yes.

    GIFFORD: ...and leading to the first everything.

    Ms. FALES-HILL: Yes.

    GIFFORD: And you talked about the fact that, you know what, you know that it's never going to be that good again.

    KOTB: Yeah.

    Ms. FALES-HILL: Exactly. Exactly. Because it is...

    GIFFORD: So you're writing from the perspective of...

    Ms. FALES-HILL: I mean -- of being married.

    KOTB: Yeah.

    Ms. FALES-HILL: And marriage is fantastic. But when you're paying the light bill together, it's not an aphrodisiac.

    GIFFORD: Frank and I were cleaning up puppy poo this morning at 6 in the morning.

    Ms. FALES-HILL: It's, you know, that doesn't get you hot and bothered.

    KOTB: Yeah. Well...

    GIFFORD: No, it doesn't. Well, it -- yeah.

    KOTB: It's interesting how you were saying you sometimes you make a choice between something that's stable and then a roller coaster ride, which is how you...

    GIFFORD: Yeah, Hoda.

    Ms. FALES-HILL: Mario in the Maserati and Murray the mortician.

    GIFFORD: Yeah.

    Ms. FALES-HILL: Mario in the Maserati is not going to be there to help you clean up the dog poop.

    GIFFORD: Right.

    Ms. FALES-HILL: ...but he's going to get you hot and bothered.

    GIFFORD: Uh-huh .

    Ms. FALES-HILL: Murray the mortician will be there, but you could get a little bored.

    KOTB: That -- would...

    GIFFORD: That's why some people settle for both, though, at the same time.

    Ms. FALES-HILL: Exactly. They want a little something on the side.

    GIFFORD: Yeah, they go to -- yeah.

    KOTB: What did you learn, I mean, about infidelity from your book? What'd you take away?

    Ms. FALES-HILL: What did I take away?

    KOTB: Yeah.

    Ms. FALES-HILL: I took away -- my main character is dealing with the issue of trying to be a perfectionist and trying to control her life.

    GIFFORD: Yeah.

    Ms. FALES-HILL: And there's an old saying, man plans and God laughs.

    GIFFORD: Yeah.

    Ms. FALES-HILL: Well, count that twice for Cupid laughs.

    GIFFORD: Right.

    KOTB: Uh-huh .

    Ms. FALES-HILL: And she learns that you can't control every aspect of your life, and sometimes you have to make a mistake to discover who you really are.

    GIFFORD: Oh. I like that.

    Ms. FALES-HILL: I'm not saying cheat. Read my book instead.

    GIFFORD: So I understand...

    KOTB: Right.

    GIFFORD: What does your husband think when he writes -- when he reads your drafts of these -- of the -- I mean...

    Ms. FALES-HILL: Well, I think he's thinking could we bring some of that into the bedroom and not leave it on the page?

    GIFFORD: 'Not right now, honey. I'm writing a sex scene.'

    Ms. FALES-HILL: Let's not write it, let's have it happen.

    KOTB: Are these characters based on people you know?

    Ms. FALES-HILL: Writing is plagiarism from life. My memoir -- my first book was a memoir so I had to be very careful to protect everyone.

    KOTB: Yeah.

    Ms. FALES-HILL: This is fiction so I can tell the truth. So everybody is a little bit of a composite of someone that I know.

    GIFFORD: And which one is the most like you, the...

    Ms. FALES-HILL: I hate to say, the main character , hoochie as charged.

    GIFFORD: Hoochie .

    Ms. FALES-HILL: Hoochie as charged.

    KOTB: OK, all right.

    GIFFORD: And your mother's an interesting person.

    Ms. FALES-HILL: My mother was a fascinating, fascinating woman.

    GIFFORD: Yeah. All right.

    KOTB: Good luck with the book. It's a page turner.

    GIFFORD: Great to meet you. All the best.

    Ms. FALES-HILL: Thank you.

    GIFFORD: Tomorrow, Rosie Perez is here, and a performance from -- Miranda Lambert 's going to sing for us.

    KOTB: Oh, yeah. And we're going back to fourth grade.

    GIFFORD: Ugh.

    KOTB: Don't ask.

    GIFFORD: Oh, it's ugly.

By
TODAY books
updated 9/27/2010 4:23:24 PM ET 2010-09-27T20:23:24

What happens after happily-ever-after fades? Susan Fales-Hill’s novel “One Flight Up” is about four New York women who seem to be living the perfect life — marriage, wealth and power —but suddenly start craving more and become caught up in the world of temptation. An excerpt.

The One That Got Away
India made her way down the brightly lit corridor, the thick carpeting muffling the sound of her steps so that she moved quietly as an angel. She looked up, admiring the moldings and the bas-reliefs of pseudo-Grecian revelers in diaphanous togas. She sensed someone had stopped right in the middle of the hallway and was staring straight at her. She looked down from the crown moldings and saw Keith Wentworth, her former fiancé. She gasped and froze in her tracks. Keith’s mahogany locks framed a chiseled face completely unchanged by the hands of time. Beneath his tux, his six-foot-three frame was still a V‑shaped marvel of anatomy. Once India resumed breathing, she tried to read his expression. Was that shock? Had the color truly drained from his cheeks? He had never had much to begin with, much to the delight of his light-skinned mother.

No doubt I’ve turned him to stone with my middle-aged office Medusa grooming, India thought with despair. The closer he gets, the luckier he’ll feel that I called off the marriage.

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Keith started to walk toward her. Through the fluid wool of his bespoke tuxedo, each slow and deliberate step suggested the outline of a different perfectly defined leg muscle. India’s heart pounded in her chest. It was too late to turn and run in the other direction. Perhaps she could pretend she was someone else, a homely India Chumley lookalike. As he drew closer, she forced a smile, well, at least a constipated grin. At last he stopped, inches away from her, his endless lashes rising to unveil huge indigo eyes that stared directly into hers. He flashed a half smile revealing teeth so white and even they could have passed for cultured pearls. At thirty-eight, he was still a statue of a Roman god brought to devastatingly beautiful life. Was it any wonder she had almost been razed Carthage to his conquering Scipio?

“How’s it going, Chumley?” Keith said nonchalantly, the way one might have greeted a colleague, not the girl one had nearly married and with whom one used to have sex that would have registered 10 on the Richter scale.

“Good evening, Keith,” she managed to eke out woodenly.

“Whoo,” he answered trying to lighten the mood, “Felt the breeze on that one.”

India couldn’t think for the conga drum beats of her heart. She laughed nervously.

“There’s no breeze, Keith,” she reassured him.

“Could have fooled me,” he bellowed in a “hail fellow well met” voice. “Anyway, water under the bridge,” he added with a wave of his perfectly formed right hand.

“What are you doing here?” India asked awkwardly.

“Didn’t you read your program, Chumley? I’m the honoree, the Bright Futures Torchbearer of the Year,” he answered nonchalantly.

“Oh, I’m so sorry. My hostess didn’t tell me,” India sputtered, mortified. Now she’d compounded her haggard appearance with ignorance and stupidity. “Congratulations,” she hastened to add.

“For what — being the check magnet of the year? This isn’t about me, they just needed rich, corporate, nonwhite,” he joked.

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India had always loved Keith’s ability to cut through society’s euphemisms and hypocrisies. Now she smiled in earnest and wide.

“There it is, that’s my smile,” Keith said quietly, smiling back with his whole face. India paused to savor the moment’s warmth, then remembered she shouldn’t get too comfortable. This was, after all, the man who had demolished her heart. And she had moved on to another more worthy of her affections.

“The organization is fortunate to have you, whatever the reason,” she said with formality, to reestablish a boundary.

“Yeah, and I’m damned glad to meet you, too. So what are you doing here? You’re supposed to be in LA.”

“I moved back just a few months ago.”

“Hard to keep track of your moves. You don’t give people much advance notice ...”

India refused to take the bait. She would never admit to Keith that their breakup had caused her to go to Los Angeles in the first place. She strongly suspected he knew. Like most beautiful men, he was fully aware of his power over women.

“Bigger opportunity at the firm here. They made me a partner.”

“That was bound to happen. You’re good,” Keith tossed out. The offhand compliment stunned India. Keith had never been generous in his praise.

“Maybe we can have lunch sometime,” he suggested, as he took a step or two away from her.

“Yes, that would be nice,” India found herself answering and, to her shame, wishing he would pull out his BlackBerry on the spot. She wanted to kick herself for letting down her guard but then rationalized that befriending him was actually a sign of how far in the past her feelings belonged. Platonic friendship — that was all that remained, in spite of his flawless good looks and edible body.

Keith stared at her, taking in all the planes of her face. India allowed her eyes to meet his. To her shock the cerulean blue irises conveyed affection. Just as she began to settle in for another moment’s silent exchange with the man she’d nearly married, she heard a lilting female voice cry, “There you are, sweetie. I’ve been waiting for you.”

At the door of the ladies’ room, a sinewy, chiffon-clad creature appeared, like a wood sprite in an ancient myth. She was diminutive, five feet three or four, at most, with the fat-free lithe body of a dancer or a gymnast, a flawless complexion, big bright doe brown eyes, and flowing dark hair. She rose on tiptoe to kiss Keith full on the lips then turned her pep-squad smile on India, who wanted nothing so much as for the earth to open up and swallow her whole.

India looked to Keith for an explanation. He flinched for a moment, but without skipping a beat, slipped an arm around the apparition’s minuscule waist. It was not measured in inches, India thought, but in ring sizes. Who was this nymph, this Tinker Bell to her hideous Captain Hook? Suddenly India felt the lines of her forehead gape like Grand Canyons, revealing the continental divide in their ages. How old was she? Not more than twenty-six with a soul and spirit as unblemished as her complexion, no doubt.

“Serena,” Keith said warmly. “This is India Chumley.”

“India. What a pretty name,” Serena uttered in a tone of sheer amazement. “I’ve never met anyone with that name.”

Of course you haven’t. You’re eight years old. I, on the other hand, am a contemporary of Queen Victoria’s, India wanted to answer but smiled instead. Clearly Keith had never even mentioned her to this child. But then, why would he have? Maybe she was just a passing fling, a wife for the evening, or a holdover from the weekend. Yet scrutinizing her fresh-faced sorority girl demeanor, India had to admit she looked like the “to wed” type, not merely the “to bed” type. Something about her carriage, her perfect, prim posture suggested Wellesley BA, with honors, less than five years before.

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“India, this is Serena Charles, my fiancée.”

The last word hit India like a knockout punch. Everything afterward turned blurry and vague like an out-of-body experience. She had expected anything but this. Why hadn’t Monique warned her? For that matter, had Monique known Keith would be there all along?

“When did this happen?” she managed to muster, instantly regretting having asked. She might as well have added the word “disaster.”

“Three days ago!” Serena gushed. “Can you believe it?”

“That is ... wonderful. Really. Best wishes to you, Serena. Congratulations, Keith. Well done.” When in doubt, offer a good British turn of phrase.

“Well done?” God, what a clunker. India willed herself to do an about-face and walk away from the happy pair, completely forgetting that her original destination was the ladies’ room. She hoped she’d turn invisible as she walked away.

Excerpted from "One Flight Up" by Susan Fales-Hill. Copyright (c) 2010, reprinted with permission from Atria.

© 2012 MSNBC Interactive

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