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Video: Yasbeck recalls John Ritter’s ‘Love and Laughter’

  1. Transcript of: Yasbeck recalls John Ritter’s ‘Love and Laughter’

    MEREDITH VIEIRA, co-host: We are back now at 8:39 with a great love story . John Ritter was the star of the classic sitcom "Three's_Company." Years later he met fellow actor Amy Yasbeck on the set of their movie " Problem Child ." They fell in love, had daughter Stella together and married. But in 2003 , on Stella 's fifth birthday, Ritter suddenly died of an undiagnosed aortic dissection , a tear in the aorta. Amy Yasbeck writes about it all in her new book "With Love and Laughter, John Ritter ." Amy , good morning to you. Such a pleasure to see you.

    Ms. AMY YASBECK (Author, "With Love and Laughter, John Ritter"): Good morning. When you mentioned the love story , I thought you meant our great love story .

    VIEIRA: Yes, we have one as well.

    Ms. YASBECK: Stella still has the notebook, the official reporter's notebook that you gave her.

    VIEIRA: Yeah.

    Ms. YASBECK: So she's going to be a writer now, thank you.

    VIEIRA: She's -- and now she's 12 years old, believe it or not .

    Ms. YASBECK: She's 12 years old, right.

    VIEIRA: How are the two of you doing?

    Ms. YASBECK: We're doing OK, thank you.

    VIEIRA: Yeah.

    Ms. YASBECK: Because kind of the operating instructions of "With Love and Laughter," how John used to sign his head shots a lot of times, that's the way to do it. He kind of gave us a clue. So that's how we're doing it.

    VIEIRA: One day in a time. That's right , with love and laughter.

    Ms. YASBECK: That's a whole different show. You mean "Three's_Company."

    VIEIRA: Oh, sorry.

    Ms. YASBECK: " One Day at a Time ," that was Valerie Bertinelli .

    VIEIRA: Exactly. Let's look at this week along because it's -- this week alone because it's very evocative for you, obviously.

    Ms. YASBECK: Oh, my gosh.

    VIEIRA: Your birthday, your daughter's birthday.

    Ms. YASBECK: Well, I don't have birthdays anymore, so that's OK.

    VIEIRA: OK. But your daughter turned 12.

    Ms. YASBECK: Yeah.

    VIEIRA: Seven years since your husband's death.

    Ms. YASBECK: Right.

    VIEIRA: Your wedding anniversary, his own birthday, plus your book being launched.

    Ms. YASBECK: That was an interesting overlap, yeah.

    VIEIRA: So many things. What is going through your mind?

    Ms. YASBECK: A lot of Starbucks .

    VIEIRA: So many positive -- yeah.

    Ms. YASBECK: Just trying to keep it going. But yeah, it's true, this September week...

    VIEIRA: Yeah.

    Ms. YASBECK: ...the high holy days for us, it's an interesting thing. But John was always a big proponent of being inclusive; wonderful things, horrible things, it all overlaps and happens at the same time. And the only -- you can't really do anything about it, it's just how you react to it. So we're doing the best we can.

    VIEIRA: Yeah. And it has been seven years. What has changed for you over the years?

    Ms. YASBECK: I think, just as anybody who's grieving, you integrate it more.

    VIEIRA: Mm-hmm.

    Ms. YASBECK: And the love never goes away, but the missing actually becomes part of your life and you kind of hold that person close to you and kind of inside. Stella gave me the clues on that. She said that no matter what kind of recipe you have for your life, it's always going to have that taste and that you're missing somebody. So that's always there, but it goes on.

    VIEIRA: Yeah. You met John on a movie set you guys were making, " Problem Child ," together in 1990 .

    Ms. YASBECK: A classic.

    VIEIRA: You're right.

    Ms. YASBECK: Like " Casablanca ," " Citizen Kane "; " Problem Child " one and two.

    VIEIRA: Well, for you guys, it was.

    Ms. YASBECK: Absolutely.

    VIEIRA: I mean, this was the beginning of your romance. What attracted you to him?

    Ms. YASBECK: As much as it was how hilariously funny he is and how focused he was -- which is something I lack, the focus, big time -- is that how he treated people and how he treated everyone exactly the same, which is if he -- when he just met them, it was as if they were a long-lost relative or a love that he haven't seen in a long time.

    VIEIRA: Is that why you think so many people connected to him?

    Ms. YASBECK: Yeah. Yeah.

    VIEIRA: Because there are so many sitcom stars out there that people love, but they idolized John .

    Ms. YASBECK: Right. I think they felt like John was part of their family. And when people say to me, you know, 'Oh, I loved John .' I say, 'Oh, he loved you, too.' Because he did. He embraced his fans. He was a real people person, and being on TV is the way to get out to them all.

    VIEIRA: He also embraced his family. You have your daughter Stella together. You're also the stepmom for his three children.

    Ms. YASBECK: Oh, yes.

    VIEIRA: What kind of a dad?

    Ms. YASBECK: John was a green light kind of dad, and I...

    VIEIRA: You mean pretty much yes to everything the kids wanted?

    Ms. YASBECK: Well, not yes to everything, but it's like when you learn when you do improv. When you do an improvisation, the person who says no in the improvisation screws it up. You always go yes and, yes and, to keep it going. So to keep your kids or anybody's spirits high, you're like yes and what else, you know? And he just let them be who they were going to be, but the best that they could be.

    VIEIRA: The best that they could be.

    Ms. YASBECK: Yeah.

    VIEIRA: He also -- the book is filled with wonderful anecdote stories about -- I mean, he was kind of a wild and crazy guy , loved to play practical jokes.

    Ms. YASBECK: Yes.

    VIEIRA: Favorite moment? Can you -- if you could pick one out?

    Ms. YASBECK: I always enjoyed the terrifying moment whenever we'd be in an elevator together and someone else would walk in, he immediately would pretend that he was some kind of perv trying to pick me up. And instead of me going, 'No, seriously, this is my husband,' I would have to pretend that I was the damsel in distress. And that person would be shaking and standing so close, just waiting for those doors to open so they could escape. But to John , grist for the mill. Everything was a giant improvisation and we were all part of his story.

    VIEIRA: Yeah. And on a serious note, since his passing you've made it your mission to get out the word about this undiagnosed aortic dissection , basically.

    Ms. YASBECK: Oh, yeah.

    VIEIRA: You've come up with something called Ritter 's Rules . What are they?

    Ms. YASBECK: Well, you know, it's -- Ritter Rules are 10 rules that were kind of gleaned from, grocked from, whatever the words are -- culled from the aortic guidelines that were published in March. And the Thoracic Aortic Disease Coalition , which the John Ritter Foundation is part of -- excuse my preposition at the end there because I'm a writer now.

    VIEIRA: That's OK.

    Ms. YASBECK: And we came up with Ritter Rules because there are certain things that will save your life. Most importantly to me, if you have somebody in your family that has survived or is diagnosed with an aortic aneurysm or dissection, you are 20 percent more likely...

    VIEIRA: To have it yourself.

    Ms. YASBECK: ...to have it yourself at any age. This is not like abdominal aneurysm, where it's kind of an older person, kind of a men's disease. This is an equal opportunity life screwer upper. So man, woman...

    VIEIRA: But you can check for it.

    Ms. YASBECK: Absolutely.

    VIEIRA: As his brother did after his passing, yeah.

    Ms. YASBECK: Yes. So Tom Ritter , my fabulous brother-in-law, we knew this -- these facts and we had Tommy -- we had Tommy scanned -- he scanned himself. He's very good. He's also a radiologist, not. And he was determined to have an aortic aneurysm in the exact same place as John , and his life was saved.

    VIEIRA: Yeah, which is...

    Ms. YASBECK: But really, at any age, men or women. Just because John and Tommy were semi-elderly -- sorry, Tommy .

    VIEIRA: Well, this is one more gift that John is giving people, this knowledge through you, Amy . So we appreciate it.

    Ms. YASBECK: Absolutely. Probably the most important, keeping families alive and together.

    VIEIRA: Absolutely. And thank you for the book. It's wonderful , too.

    Ms. YASBECK: Thank you. I'm glad you liked it.

    VIEIRA: Very much.

    Ms. YASBECK: Cool.

    VIEIRA: Amy Yasbeck , thank you so much .

TODAY books
updated 9/14/2010 8:56:22 AM ET 2010-09-14T12:56:22

Amy Yasbeck, actress wife of John Ritter, writes poignantly of her life with the popular star of “Three's Company” and “8 Simple Rules for Dating My Teenage Daughter,” who in 2003 died of an undiagnosed aortic dissection. In this excerpt from “With Love and Laughter, John Ritter,”  she writes candidly of the effect that Ritter’s sudden passing had on her and their 5-year-old daughter.

John died the night of September 11, 2003. Not only was it our daughter Stella’s fifth birthday, but it was only a few days into her first real week of school. In fact, it was the first day that we parents were expected to drop our kids off instead of walking them in and hovering.

I think the thing with which children and their parents comfort themselves is the knowledge that these separations last only a few hours. Moms and dads reassure their little ones that they will be back for them, even though most parents feel in the pit of their stomachs that they’re kind of abandoning them — especially if it’s their first kid and/or only one. I remember seeing parents and their kids dotting the campus in little intimate clumps, basically having the same conversation: “We’ll be back for you. It’s just a few hours — you’ll have a lot of fun and it’ll go by before you know it.”

Stella had gone to a small co-op nursery school for the previous two years. Co-op, mind you, means that the parents work at school, so John and I were there a lot. This whole kindergarten thing on a giant campus at a big school that went up to eighth grade was a really different feeling for all of us. It was like trying to merge onto an L.A. freeway driving a Big Wheel. As a brand-new 5-year-old, Stella was as brave and trusting of the world — and of us — as we could have hoped. She shared a goodbye kiss with her father that morning believing, on faith, that her time at school would be bookended by another kiss at the end of her day. She’ll never have that kiss.

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Late that afternoon, John was taken from work to the emergency room of the hospital across the street. I rushed there to be with him. He died hours later. Stella never saw him again.

Every 5-year-old’s nightmare, whether they can verbalize it or not, is that when they say goodbye to their parents, their parents disappear. Goodbye is goodbye. No differentiation between “goodbye see you later” and “goodbye forever.” This nightmare came true for Stella.

I know kids live through this. I’ve met plenty of adults who lost a parent very, very young. But you can never imagine, until it happens to you, what it’s like to witness your child’s suffering. As much pain as I was in, trying to wrap my head and heart around my own loss, nothing will ever compare with the absolute despair of experiencing this tragedy through my daughter’s eyes.

My first instinct was to keep her out of school and hibernate the rest of the year away; she could just start again the next September. I knew this was the wrong tack and I would have to pull her out of school for a while and then slowly reintroduce her to the idea of kindergarten. After a pretty cruel false start, it wasn’t going to be easy. Besides, John was the big school fan. He loved school, everything about it. He had an abundance of warm memories about his adventures in grade school and at his beloved Hollywood High and USC. Me? Not so much. My experiences were not so nice. John and I had an understanding that he was going to be holding my hand for the next twelve or so years when it came to anything school-related. I was in this alone now and everyone’s advice that September was that Stella needed school and normalcy ... right. Okay.

One week after John died, Stella started back at school. The drill was: I would go to school with her, drop her off in class, hang around close by, and then slowly start to leave campus for longer and longer periods of time. Clearly, this was as hard for me as it was for her. Her school was up on Mulholland Drive. And when I first forced myself to get back in my car and actually drive away from her, I didn’t get very far. In fact, I just drove in huge loops down to Ventura Boulevard, slowly cruising along for a couple of miles, then back up another canyon to Mulholland, across the tops of the mountains past her school, and then back down another canyon road to Ventura Boulevard in the Valley.

I didn’t listen to the radio. Not only was talk radio to be avoided — especially Howard Stern — but every song was about John. When I was pregnant with Stella, he told me that one of the many amazing effects that having a baby has on your relationship to the world is that every song on the radio becomes about your baby. Every love song is suddenly about your new love. This little person.

It’s true for every parent. I remember my dad, who sang me to sleep every night with a repertoire of songs from the thirties and forties, his era, used to effortlessly replace the word “baby” with “Amy.” As in, “just Dorothy and me and Amy makes three, we’re happy in our blue heaven.” Now here I was driving radio-free, testing the radius of my invisible umbilical cord; all the songs were about John now. Just the thought of music, any song, made me cry so hard my glasses would fog up. Unsafe at any speed.

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At some point during that first week back at school, I decided to widen my comfort zone by taking a longer drive down Ventura Boulevard before I climbed back up the mountain on the way to Stella’s school. I found myself at the stretch between Jerry’s Deli and The Good Earth Restaurant, two of John and Stella and my favorites. This was worse than being blindsided by a Beatles song. My face flushed and my glasses fogged and I had to pull over. I happened to have stopped in front of a newsstand. I had purposely been avoiding headlines. No TV. No Internet. Nothing. I should have been expecting some stories about John to show up in the gossip magazines, but I certainly wasn’t seeking them out. And, thankfully, I had been surrounded by friends and family kind enough to keep any knowledge of press coverage to themselves.

As I glanced up at the newsstand, a big, bold headline caught my eye: JOHN RITTER’S WINDOW COLLAPSES. I was thinking, Holy crap, now what? His dressing room window over at Disney? I pulled down my Dodgers cap — actually, John’s Dodgers cap that he had given me to hold with his watch and wallet and wedding ring that night in the emergency room. I really did not want to be recognized. Nobody wants to be spotted reading the rags. I got out of the car and stood about ten feet away from the magazine rack in an attempt to appear nonchalant, nearly backing into traffic in the process.

JOHN RITTER’S WINDOW COLLAPSES — maybe it was a concocted story about a window at our house? Under the headline was a photo of us from some event. I inched up to get a closer look at this picture that I had never seen before. John standing behind me with his hand on my shoulders, smiling. It hit me like a throat punch. Not “window.” Widow.

The reality sat me down right where I stood, literally. I didn’t cry. I didn’t panic. I just sat there on the curb and took in the events of the last week in one bitter gulp and let it move through me. Past my skin, into my gut. I felt it settle like a flock of birds somewhere around where my heart sat seemingly motionless in my chest, waiting for permission to beat again.

The reality of my new label took up residence in the center of my being. JOHN RITTER’S WIDOW COLLAPSES. Define “collapse.” Nothing in the article was true. And yet having the W-word used in reference to me was truth enough. Even though John and I had been together a long time, we had been married for only four years. I was still getting butterflies every time he or anyone else would use the other W-word, wife. I’m sure the word “widow” was all over the place in reference to me. I just didn’t feel it — own it — until then.

When I was a little girl, my friends and I would play with our baby dolls outside in our yards. Thinking back, none of us really felt comfortable pretending to be single moms. It was the end of the sixties, beginning of the seventies, and even though we didn’t know what the concern was exactly, we knew there was something troubling about it. We would start every session of playing house by explaining to one another where our husbands were. Usually everyone just said “at work.”

I remember being with my friends one day in my side yard beneath our famous crabapple tree (famous because of my mom’s applesauce and apple jelly). On this particular afternoon, our imaginations extended past the daytime housewife hours and we all seemed to be living with our babies in some kind of kibbutz. We were gathering food for them when one of the girls announced that her husband had gotten killed in Vietnam and wasn’t coming home.

There was a heavy pause and then the other girls began to nod knowingly and commiserate that they, too, had lost their husbands to the controversial war in Vietnam. I remember the little war widows looking at me expectantly. I couldn’t even say the words. Even then I couldn’t quite go there.

“He’s an astronaut,” I said. “He’ll be away for a couple years, and then he’ll be back.” I assured them that the baby and I were fine. I remember that like it was yesterday.

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I think that’s where I was for a long time after John died. That’s the kind of place I would go when uninterrupted by condolences or tributes or Stella’s innocent but brutally stark questions. It wasn’t exactly denial or mental illness or some kind of veiled religiosity. My head game was survival, pure and simple.

The only way I could take a step or a breath, much less go about the business of living, was to cling to the closest recognizable feeling I could handle. At night, all hell would break loose inside my head. And my heart would break over and over and over. But in the morning, after the initial slap in the face that every new awakening would bring, I would drift into survival mode. I allow myself to believe that this was all just a crazy extended version of all the brief times apart that John and I had already survived.

So familiar, this waiting. Over our years together I’d had so many tastes of it. The anticipation, the romantic longing, the resenting everyone for not being John. Then just when I was sure I would lose my mind: the crashing together and making up and out for lost time. I knew in my heart I wasn’t going to get my way this time. I wanted to hold my breath till I turned blue ... I am blue now. Was all of that a rehearsal for this?

Excerpt reprinted with permission from "With Love and Laughter, John Ritter" (Simon & Schuster Publishing) by Amy Yasbeck.

© 2012 MSNBC Interactive

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