World renowned spiritual guru Deepak Chopra has worked for years on teaching the mind-body connection. His books have sold over 20 million copies worldwide and have been translated into 35 languages, and he also guides Sirius satellite radio listeners on a weekly journey into wellness and spiritual health. In “Life After Death: The Burden of Proof,” the best-selling author turns his attention to a subject we often fear. Here's an excerpt:
While writing this book on the afterlife, I kept being drawn back to stories that I’d heard in India as a child. Parables are a powerful way to teach children, and many of the ones told to me have lasted all my life. So I decided to weave the book around tales of the kind I heard at home, around the temples, and at school, hoping that the reader would be enticed by a world where heroes battle darkness in order to emerge into the light.
In this case the hero is a woman, Savitri, and the enemy she must defeat is Yama, the Lord of Death. Yama shows up in her front yard one day, waiting to take away her husband the moment he returns from his work as a woodcutter. Savitri is terrified. What strategy could possibly turn Death away from his inexorable mission? I had no trouble imagining these characters. I was frightened for Savitri and anxious to find out how her battle of wits with Death turned out. Their world flowed easily into my own, because the India of my childhood was not that far removed from ancient India. I want to take a moment to convey what death and the world beyond meant back then. It may seem like a very esoteric place. If so, you can come back to it after reading the main body of the book. However mysterious and exotic, here is where I began.
In the West the hereafter has been viewed as a place akin to the material world. Heaven, hell, and purgatory lie in some distant region beyond the sky or under the earth. In the India of my childhood the hereafter wasn’t a place at all, but a state of awareness. The cosmos that you and I are experiencing right now, with trees, plants, people, houses, cars, stars, and galaxies, is just consciousness expressing itself at one particular frequency. Elsewhere in spacetime, different planes exist simultaneously. If I had asked my grandmother where heaven was, she would have pointed to the house we lived in, not only because it was full of love, but because it made sense to her that many worlds could comfortably inhabit the same place. By analogy, if you are listening to a concert orchestra, there are a hundred instruments playing, each occupying the same place in space and time. You can listen to the symphony as a whole or, if you wish, put your attention on a specific instrument. You can even separate out the individual notes played by that instrument. The presence of one frequency does not displace any of the others.
I didn’t know it as a child, but when I walked around the crowded Delhi market where more humanity was packed into one bazaar than was possible to imagine, the world I couldn’t see was even more crowded. The air that I breathed contained voices, car noises, bird songs, radio waves, X-rays, cosmic rays, and an almost infinite array of subatomic particles. Endless realities lay all around me.
Every frequency in nature exists simultaneously, and yet we experience only what we see. It’s natural to fear what we can’t see, and since death snatches a person out of sight, we react to it with fear. I certainly wasn’t immune to this. The death of a pet made me anxious and sad; the death of my grandfather, which happened suddenly in the middle of the night, was devastating. My younger brother kept running around the house crying, “Where is he? Where is he?” It would be years before I realized that the correct answer was “Here and everywhere.”
Different planes of existence represent different frequencies of consciousness. The world of physical matter is just one expression of a particular frequency. (Decades later, I was fascinated to read that according to physicists, there is a background hum to the universe that is so specific as to sound like the note B-flat, although it vibrates millions of times lower than human hearing.) In India a child would never hear such a complicated quasi-scientific idea, but I did hear about the five elements, or Mahabhutas: earth, water, fire, air, and space. These elements combined to form everything in existence, which sounds crude to someone versed in Western science, but it contained a valuable truth: All transformations come down to a few simple elements.
In the twentieth century Western science came to understand that all solid objects are actually made of invisible vibrations. In my childhood, solid things were seen to have a large portion of the earth element. To put it another way, solid things had dense vibrations, or vibrations on a lower plane. Vaporous things had a fine vibration, on a higher plane.
Just as there are different planes of material things, there are also different spiritual planes, a shocking notion to the pious Catholic brothers, mostly Irish, who were my teachers at school. To them the only spirit was the Holy Ghost that lived in heaven. We children were politic enough not to disagree, yet in our cosmos it only made sense that if the Earth was a dense spiritual world, there must be higher spiritual planes, known to us as Lokas, which in Western mystical circles became known as “astral planes.” There are an almost infinite number of astral planes, divided into a higher and lower astral world, and even the lowest ones vibrate at a higher frequency than the material world.
Long ago the West gave up trying to hear the music of spheres, but in India it is believed that a person with finely tuned consciousness can go inward and actually hear the vibration of various higher planes. In the astral plane you can see your own body, instance, yet it might change in age from moment to moment.
Excerpted from “Life After Death: The Burden of Proof” by Deepak Chopra Copyright © 2006 by Deepak Chopra. Excerpted by permission of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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